Delivering the curriculum

Students should happily stay, pay and refer because the outcomes of staying are good for them. The challenge for the instructor is to have a process that delivers such outcomes to a group of people, consistently over time. Central to this is to have a map. Something that outlines basic learning goals for someone to progress towards and have a destination for their improvement.

Curriculum Overview: Beginner vs intermediate vs advanced

Let’s take sometime to discuss what exactly a beginner, intermediate and advanced student is. As previously discussed, they are not the difference between an unserious and competitive student. Because recreation means to refresh ones spirit,then everyone is recreational. It’s just that some are refreshed through basic exercise, and others are refreshed through athletic achievement.

Let’s work ourselves backwards:

I) An advanced Nak Muay is one who can demonstrate all offensive and defensive maneuvers under extreme (Fighting) to moderate duress (Sparring);

ii) An intermediate student is one who is learning the relationship between offense and defense and how to transition to and from;

iii) A beginner student is therefore learning offensive and defensive maneuvres and not necessarily how to transition between the two in a hand to hand setting.


Beginner student checklist:

  • Punch

    • Straight

    • Bent arm punch

  • Kick

    • Teep

    • Swing kick (L, M, H)

  • Knee

    • Straight

    • Side

    • Modifiers:

      • Non Grab

      • Arm grab

      • Arm and head

      • Head

  • Elbow

    • Horizontal

    • Vertical

    • Diagonal

Defense

  • Vs. Punch: Block, Parry, Avoid

    • Vs Straight Arm punch

    • Vs Bent Arm Punch

  • Vs. Kick:

    • Vs Teep: Parry, Catch, Avoid

    • Vs Kick: Block, Avoid, Reduce, Catch

  • Vs. Knee:

    • Straight: Catch, Reduce, Pivot

    • Side: Catch, Reduce, Pivot

    • Prerequisite: Introduce basic positions: I) Full inside; ii) 50/50 inside; iii) 50/50 Outside iv) Full plam inside v) Full plam outside

  • Vs. Elbow:

    • Long Guard Defense

    • Arm clinch defense

  • Competencies: Students should be able to display the following individual modalities competently:

    • Shadow Box

    • Bag Work


Intermediate Checklist: Teach process not choreography

  • Offensive and defensive transitions

    • Attack and defend

      • Long attack to Long defense

      • Long attack to Short defense

      • Short attack to Short defense

      • Short attack to Long defense

  • Combinations: 2 hit, and 3 hit orientations

    • Long to Long

    • Short to Short

    • Long to Short

    • Short to Long

  • Countering: a means to transition from defense to offense

    • Long defense to long offense

    • Long defense to short offense

    • Short defense to short offense

    • Short defense to long offense

  • Transition Combos: 2 hit and three hit, beginning with defense:

    • Defend Long weapon, counter with long combination

    • Defend Short weapon, counter with short combination

    • Any Combination into defense (long or short)

  • Additional Concepts:

    • Interception

  • Student Competencies

    • Play Spar: Students should be able to display their ability to transition from offense and defense smoothly

    • Bag work: Should display good rhythm in combination

    • Shadow Box: Express smooth stance, footwork and delivery of weapons dynamically.


Form, timing and attitude

It is very easy to fall into the trap of administering a lesson plan and confusing that for teaching. What often happens is that an instructor will tell a class what is to be done, but stop short as to how it is to be done. Essentially, it is the difference between teaching deeply vs widely. The following is a simple formula that helps shape good fundamentals: A knowledge of the movement, applied at the right speed, that breeds good learning culture. This is meant to help you with the process that’s allows you to teach the nuisance of a technique to avoid the trap of making a class busy just to fill time and to actually teach something worth knowing.

  1. Teach Form: What are the mechanics involved in order to produce said movement? Break down a technique into as to how it traverses from its starting point to its end point. Producing the movement required to transition from said points is what it means to teach form. Have a basic knowledge of planes of motion and how each region (Lower, mid, and upper body) works together to produce the required outcome.

  2. Teach Timing: When do I accelerate and decelerate to express power of movement and desired outcome? Teach your students when to express their power, and most importantly how to wind it down. It is easy to teach how relaxation helps one to accelerate, but the reverse is equally important: to relax after acceleration and to decelerate.

  3. Teach Attitude: What are appropriate mentalities to have in acquisition and expression of movement? Students equally need knowledge about how to be a good student and identify impediments to learning

How do I know they are improving?

Watch your students. Periodically give them ample individual time and watch how they express their movements. What you are looking for is ‘unconscious competence’ as described here:

Next session: Modalities and class layouts

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Layouts

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The 4 dimensions of a Professional Martial Artist